Movie Reviews
In ‘Wildwood,’ Everything Is Immaculately Detailed Except the Characters
The level of craftsmanship in Laika’s latest stop-motion feature is astounding, but it can’t suffice for an underwhelming protagonist.
‘Primetime’ Is Sleazy, Surreal, and Strangely Hollow
Robert Pattinson stars as Chris Hansen in A24’s garish examination of the 'To Catch a Predator' phenomenon
TIFF 2026 Dispatch #3: 'Club Kid', 'Possible Love', the People's Choice Awards, and other highlights
Stephen David Miller concludes his coverage of the 51st annual Toronto International Film Festival.
TIFF 2026 Dispatch #2: 'Ink,' 'Elsinore,' and 'Wild Horse Nine'
Stephen David Miller continues his coverage of the 51st annual Toronto International Film Festival.
‘Resident Evil’: Finally, a Great Video Game Movie for People Who Suck at Video Games
Rather than get hung up on lore, Zach Cregger’s adaptation leans into the thrill of playing the long-running survival horror series.
TIFF 2026 Dispatch #1: 'The Debut,' 'Your Mother Your Mother,' 'Being Heumann,' and 'Tangles'
Stephen David Miller kicks off his coverage of the 51st annual Toronto International Film Festival.
‘The Uprising’ Awkwardly Weds Paul Greengrass’ Documentary Style with Tired Medieval Drama
Greengrass’ handheld approach pulls us further away from historical realism.
‘Onslaught’ Is Pure Retro Mayhem
The grindhouse throwback evokes 1980s action classics without quite recapturing their magic
In ‘The Dog Stars,’ Ridley Scott Only Scratches Surface of a Post-Apocalyptic America
The muddled drama never seems fully certain about its ideas on American identity.
‘Tony’ Excels by Looking at the Man, not the Myth
The story of a young Anthony Bourdain is a rich coming-of-age tale that doesn’t care for standard biopic tropes.
Five Lessons from the 2026 Summer Movie Season
What did we learn from the hits and misses at the theater?
‘Coyote vs. Acme’ Is a Charming, Funny Reminder That You Can’t Stop an Irrepressible Toon
Matt Goldberg reviews 'Coyote vs. Acme.' Plus: Caroline Siede assesses the charms of 'The Wrong Girls'
Hollywood Forgot How to Make Movies Like 'The End of Oak Street'
David Robert Mitchell’s movie sends us back not only to the time of dinosaurs, but to the age of Amblin.