Discussion about this post

User's avatar
Stephen David Miller's avatar

A few thoughts:

1. I am not remotely surprised by the EMILIA PÉREZ love, because I witnessed it firsthand. The hype was very real at Cannes; everyone I spoke to adored it and (give or take a SEED OF THE SACRED FIG) thought it was a lock for the Palme. Personally I was mixed: loved the audacity and spectacle (very “how the fuck does this exist”, which often scores extra points in a sleepy festival environment), but felt that its ultra binary handling of gender would be seen as clunky and regressive by a younger, especially American audience. In other words, it was the perfect recipe for a thing that would sweep awards while being hated by moviegoers. The Netflix of it all did it no favors, as most people experienced it in the *least* spectacular setting.

2. Totally agree with Tansy on I SAW THE TV GLOW, and David on CHALLENGERS, for original screenplay. I’d sub out SEPTEMBER 5 and THE SUBSTANCE (which I adored but not primarily for its script).

3. My other biggest snub would be NICKEL BOYS for cinematography. Maybe I’m falling into the “most cinematography” trap, but I can’t think of a movie this year that had half the ambition. It lives or dies by Jomo Fray’s work, and in my mind it’s a triumph. (It was also my favorite film of the year, period, but I knew better than to expect a sweep!)

Expand full comment
Marnie Phillips's avatar

I am stunned by the lack of love for Challengers

Expand full comment
9 more comments...

No posts