Newsletter
It's Exhausting When Every Day Is Historic
A few reactions to this weekend's events, plus some thoughts on 'Longlegs.'
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Why Did Sony Buy Alamo Drafthouse?
Plus: A few thoughts on 'Inside Out 2,' and The Filmcast gets a very special guest.
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Cannes 2024: The Prizewinners You'll Be Hearing About For The Rest of The Year
Stephen David Miller concludes his festival coverage with thoughts on the Closing Ceremony and Jury Awards.
Newsletter
Cannes 2024: Sean Baker’s ‘Anora’ Is One of the Best Films of the Year
Stephen David Miller shares his review of Anora, as well as mini-reviews of other major Cannes titles.
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Cannes 2024: 'Horizon: An American Saga - Chapter 1' Is Barely A Movie
Kevin Costner returns to directing movies about the West. But should we get excited?
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Cannes 2024: Francis Ford Coppola's 'Megalopolis' Is a Bewildering Mess
Stephen David Miller experiences one of the most anticipated films of the year.
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Cannes 2024 Dispatch - Furiosa: A Mad Max Saga
Stephen David Miller shares his experience at Cannes and reviews George Miller's 'Furiosa: A Mad Max Saga.'
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My 'Kingdom' for an Ape
Apes. Together. Artistically. Strong.
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Falling in Love Brings the Same Thrills as Falling Off Buildings in 'The Fall Guy'
BJ Colangelo on David Leitch's latest stunt-filled spectacular.
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In 'Challengers,' An Electric Trio Serves Up a Masterclass in Seductive Tension
BJ Colangelo on Luca Guadagnino's latest.
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Thoughts I Had While Watching Zack Snyder's 'Rebel Moon: Part Two - The Scargiver'
A liveblog of Zack Snyder's latest.
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The Curious Case of Netflix's AI-Infused Documentary 'What Jennifer Did'
'What Jennifer Did' sets an odd and upsetting precedent for the use of AI in documentaries.