‘Avengers Endgame: Encore’ and the Comfort of Never Moving On
As the hit film returns to theaters with a few added ‘Avengers: Doomsday’ teasers, it now serves as a metaphor for the studio’s larger strategy.
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‘Primetime’ Is Sleazy, Surreal, and Strangely Hollow
Robert Pattinson stars as Chris Hansen in A24’s garish examination of the 'To Catch a Predator' phenomenon
TIFF 2026 Dispatch #3: 'Club Kid', 'Possible Love', the People's Choice Awards, and other highlights
Stephen David Miller concludes his coverage of the 51st annual Toronto International Film Festival.
TIFF 2026 Dispatch #2: 'Ink,' 'Elsinore,' and 'Wild Horse Nine'
Stephen David Miller continues his coverage of the 51st annual Toronto International Film Festival.
‘Resident Evil’: Finally, a Great Video Game Movie for People Who Suck at Video Games
Rather than get hung up on lore, Zach Cregger’s adaptation leans into the thrill of playing the long-running survival horror series.
TIFF 2026 Dispatch #1: 'The Debut,' 'Your Mother Your Mother,' 'Being Heumann,' and 'Tangles'
Stephen David Miller kicks off his coverage of the 51st annual Toronto International Film Festival.
‘The Uprising’ Awkwardly Weds Paul Greengrass’ Documentary Style with Tired Medieval Drama
Greengrass’ handheld approach pulls us further away from historical realism.
‘Onslaught’ Is Pure Retro Mayhem
The grindhouse throwback evokes 1980s action classics without quite recapturing their magic
In ‘The Dog Stars,’ Ridley Scott Only Scratches Surface of a Post-Apocalyptic America
The muddled drama never seems fully certain about its ideas on American identity.
‘Tony’ Excels by Looking at the Man, not the Myth
The story of a young Anthony Bourdain is a rich coming-of-age tale that doesn’t care for standard biopic tropes.
Five Lessons from the 2026 Summer Movie Season
What did we learn from the hits and misses at the theater?
‘Coyote vs. Acme’ Is a Charming, Funny Reminder That You Can’t Stop an Irrepressible Toon
Matt Goldberg reviews 'Coyote vs. Acme.' Plus: Caroline Siede assesses the charms of 'The Wrong Girls'
Movie Reviews
Hollywood Forgot How to Make Movies Like 'The End of Oak Street'
David Robert Mitchell’s movie sends us back not only to the time of dinosaurs, but to the age of Amblin.
Movie Reviews
‘One Night Only’ Nails Its Satire More Than Its Romance
Monica Barbaro and Callum Turner charm on the one night a year single people can legally have sex
Forget IMAX. 'The Odyssey' is Best Enjoyed in 4DX
How does Nolan’s latest epic work in the rollercoaster film format?
Movie Reviews
‘Spider-Man: Brand New Day' Embraces Peter Parker's Pain
Destin Daniel Cretton’s somber sequel skillfully handles the fallout of ‘Spider-Man: No Way Home.’
Commentary
Spielberg and Nolan’s Summer Blockbusters Have Two Very Different Ideas About How To Save the World
The Odyssey and Disclosure Day are two sides of the same coin
Movie Reviews
‘Her Private Hell’ Review: Refn’s Return Gets Lost in a Psychosexual Morass
Plenty of neon, little worth considering.
Commentary
How Christopher Nolan Modernized ‘The Odyssey’
Christopher Nolan’s adaptation speaks to us with more than just modern dialogue.
Movie Reviews
Christopher Nolan's 'The Odyssey' Is About How You Really, Really Can't Go Home Again
Christopher Nolan's The Odyssey is a spectacular, epic, unforgettable adventure film that makes an ancient text relevant for the modern era.
Commentary
Disney Has Forgotten That Animation Can Do What Live-Action Can’t
The live-action ‘Moana’ remake proves realism is overrated.
Movie Reviews
‘Moana’ Review: The Live-Action Disney Adventure Is Rarely Adventurous
Our most risk-averse major studio churns out its safest remake yet.
Movie Reviews
‘Toy Story 5’ Review: The Series Is Still a Joy Even If It Can’t Solve Tech Anxieties
The latest sequel is at its best by putting the lovable Jessie at the forefront rather than trying to be a societal critique.
Movie Reviews
In ‘Disclosure Day,’ Spielberg Fights for Truth and Empathy Over Alienation
The master filmmaker returns to his signature subgenre for a bumpy, exhilarating ride.