Movie Reviews
‘How to Rob a Bank’ Leads a Hollow Revolution
The social media heist thriller from 'Atomic Blonde' director David Leitch is all bark and no bite
Movie Reviews
Movie Reviews
'Wild Horse Nine' Is Martin McDonagh's Most Overtly Political Film to Date. It's Also His Bleakest, and Best.
Stephen David Miller reviews Martin McDonagh's latest. Plus: David shares a few thoughts on 'Godzilla Minus One.'
Movie Reviews
‘Clayface’ Is Only Skin Deep
The DCU’s new body horror experiment avoids the lows of ‘Morbius’ but also the highs of ‘Wonder Man’
Movie Reviews
In ‘Wildwood,’ Everything Is Immaculately Detailed Except the Characters
The level of craftsmanship in Laika’s latest stop-motion feature is astounding, but it can’t suffice for an underwhelming protagonist.
Movie Reviews
‘Whalefall’ Offers Juicy Survival Thrills but Chokes on Attempts at Pathos
Maybe not everything needs to be about trauma.
Movie Reviews
‘You Can See Everything’ Is One of the Best Documentaries of All Time
Far more than a story about Elizabeth Holmes, the movie sets us inside a room of funhouse mirrors and sends the audience on a dizzying ride.
Movie Reviews
‘The Social Reckoning’ Confronts the Chaos of the 2020s in Chilling Fashion
Though no match for David Fincher’s original, even mid-tier Aaron Sorkin is still watchable
Movie Reviews
‘Digger’ Devolves into Smug, Sanctimonious Satire
Tom Cruise’s broad caricature of an oilman feels like his latest stunt in Alejandro’s G. Iñárritu’s pedantic mess of a movie.
Movie Reviews
‘Primetime’ Is Sleazy, Surreal, and Strangely Hollow
Robert Pattinson stars as Chris Hansen in A24’s garish examination of the 'To Catch a Predator' phenomenon
Movie Reviews
‘Resident Evil’: Finally, a Great Video Game Movie for People Who Suck at Video Games
Rather than get hung up on lore, Zach Cregger’s adaptation leans into the thrill of playing the long-running survival horror series.
Movie Reviews
‘The Uprising’ Awkwardly Weds Paul Greengrass’ Documentary Style with Tired Medieval Drama
Greengrass’ handheld approach pulls us further away from historical realism.
Movie Reviews
In ‘The Dog Stars,’ Ridley Scott Only Scratches Surface of a Post-Apocalyptic America
The muddled drama never seems fully certain about its ideas on American identity.